The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
Use your imagination, and you'll see that even the most narrow, humdrum lives are infinite in scope if you examine them with enough care.
I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do.
Fairy tales opened up a door into my imagination - they don't conform to the reality that's around you as a child. I started reading when I was three and read everything, but I wanted to be an actress.
Charles Laughton, who's a great hero of mine, only ever made one film and it happens to be one of the great films ever, which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he used the studio, I just thought it was a fantastical way of using the studio.
A place makes a deep impression on you when you're young. It lives with you. It's like your childhood. It fertilises the imagination.
Imagination needs to be fed.
The artist must bow to the monster of his own imagination.
Poetry is that art which selects and arranges the symbols of thought in such a manner as to excite the imagination the most powerfully and delightfully.
Our fears are an amazing gift of the imagination... a way of glimpsing what might be the future when there's still time to influence how that future will play out.
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